Victorian Sensation Fiction

Victorian Sensation Fiction PDF Book Detail:
Author:
Publisher: Macmillan International Higher Education
ISBN: 1137287829
Size: 46.91 MB
Format: PDF, Docs
Category :
Languages : en
Pages : 232
View: 6694

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Victorian Sensation Fiction

Victorian Sensation Fiction PDF Book Detail:
Author: Jessica Cox
Publisher: Macmillan International Higher Education
ISBN: 1137471727
Size: 11.91 MB
Format: PDF, Mobi
Category :
Languages : en
Pages :
View: 1981

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Victorian Sensations

Victorian Sensations PDF Book Detail:
Author: Kimberly Harrison
Publisher: Ohio State University Press
ISBN: 0814210317
Size: 29.51 MB
Format: PDF, ePub, Mobi
Category : Literary Collections
Languages : en
Pages : 278
View: 142

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Book Description: "Wildly popular with Victorian readers, sensation fiction was condemned by most critics for scandalous content and formal features that deviated from respectable Victorian realism. Victorian Sensations is the first collection to examine sensation fiction as a whole, showing it to push genre boundaries and resist easy classification. Comprehensive in scope, this collection includes twenty original essays employing various critical approaches to cover a range of topics that will interest many readers." "Essays are organized thematically into three sections: issues of genre; sensational representations of gender and sexuality; and the texts' complex readings of diverse social and cultural phenomena such as class, race, and empire. The introduction reviews the critical reception of sensation fiction to situate these new essays within a larger scholarly context."--BOOK JACKET.

From Wollstonecraft To Stoker

From Wollstonecraft to Stoker PDF Book Detail:
Author: Marilyn Brock
Publisher: McFarland
ISBN: 0786454407
Size: 21.51 MB
Format: PDF, Docs
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description: This collection of 13 essays examines the work of Victorian authors Wilkie Collins, M.E. Braddon, Letitia Elizabeth Landon, Mary Wollstonecraft, J. Sheridan Le Fanu, Bram Stoker, Charles Dickens, Robert Louis Stevenson, Elizabeth Gaskell, Henry James and Charlotte Brontë. Each essay explores their use of archetypal Gothic elements, such as dark secrets and forbidden sensations, to depict nineteenth-century attitudes to class, gender, race, colonialism and imperialism.

Das Geheimnis Der Lady Audley

Das Geheimnis der Lady Audley PDF Book Detail:
Author: Mary Elizabeth Braddon
Publisher: Dryas Verlag
ISBN: 3941408534
Size: 67.26 MB
Format: PDF
Category : Fiction
Languages : de
Pages : 340
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Book Description: Ein Londoner Anwalt versucht, den Mord an seinem Freund aufzuklären, doch die wunderschöne Lady Audley will dies mit allen Mitteln verhindern. Ihm wird schnell klar, dass Lady Audley ein dunkles Geheimnis hütet. Um den Mörder seines Freundes finden zu können, muss er es lüften. Ein spannendes Katz-und-Maus-Spiel beginnt zwischen dem jungen Mann und der mysteriösen Frau. Hochgelobt von den damaligen Kritikern erlebte "Lady Audley's Secret" bereits im Jahr seines Erscheinens, 1862, einen bis dahin unerreichten Erfolg. Braddons Buch wurde übersetzt, verfilmt und auf die Theaterbühnen der Welt gebracht.

Feeling Clumsy Feeling Alien

Feeling Clumsy  Feeling Alien PDF Book Detail:
Author: Gracie M. Bain
Publisher:
ISBN:
Size: 78.67 MB
Format: PDF, ePub
Category : English literature
Languages : en
Pages : 120
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Book Description: "Feeling Clumsy, Feeling Alien: Gender and Affect in Victorian Sensation Fiction" explores the interactions between the shock of reading sensation fiction and the affective potential of the genre using Sara Ahmed's definition of the killjoy and the affect alien. The sensation genre, as explained in its name, is potentially useful when thinking about affective ties in the Victorian period. The first chapter, "Tracing Sensations: Finding and Following the Killjoy" explores the affective footwork that readers of sensation fiction are asked to perform in their sympathetic process with the female villains and fallen heroines. Affective tools employed by sensational fiction create an understanding between the reader and the villains that occupied most of sensation fiction. The second chapter, "The Fallen Heroine: Feeling Injustice" discusses a sensational villain that perhaps more easily encourages sympathy: Ellen Wood's Lady Isabel Vane turned Lady Carlyle in East Lynne. Chapter three, "The Villain: Feeling for the Enemy," questions the easily defined femme fatale category of sensation novels and argues that Lady Audley's actions in Mary Elizabeth Braddon's Lady Audley's Secret can be attributed to her role as someone that affects the wrong way. Readers cannot entirely sympathize with Lady Audley or Isabel Vane, but they can recognize themselves within the frustrations and extenuating circumstances that create an environment in which the character feels the only course of action is seduction or murder. The affective possibility of Lady Audley and Isabel Vane relies on the proximity of the reader to the character's situations. To navigate affect is to navigate affective orientation and proximity, and sensation fiction provides the opportunity for disorientation and inappropriate proximity.

Neo Victorianism And Sensation Fiction

Neo Victorianism and Sensation Fiction PDF Book Detail:
Author: Jessica Cox
Publisher: Springer Nature
ISBN: 3030292908
Size: 12.95 MB
Format: PDF, Kindle
Category : Literary Criticism
Languages : en
Pages : 251
View: 4971

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Book Description: This book represents the first full-length study of the relationship between neo-Victorianism and nineteenth-century sensation fiction. It examines the diverse and multiple legacies of Victorian popular fiction by authors such as Wilkie Collins and Mary Elizabeth Braddon, tracing their influence on a range of genres and works, including detective fiction, YA writing, Gothic literature, and stage and screen adaptations. In doing so, it forces a reappraisal of critical understandings of neo-Victorianism in terms of its origins and meanings, as well as offering an important critical intervention in popular fiction studies. The work traces the afterlife of Victorian sensation fiction, taking in the neo-Gothic writing of Daphne du Maurier and Victoria Holt, contemporary popular historical detective and YA fiction by authors including Elizabeth Peters and Philip Pullman, and the literary fiction of writers such as Joanne Harris and Charles Palliser. The work will appeal to scholars and students of Victorian fiction, neo-Victorianism, and popular culture alike.

Creating Character

Creating character PDF Book Detail:
Author: Helena Ifill
Publisher: Manchester University Press
ISBN: 1526126591
Size: 17.85 MB
Format: PDF, ePub, Docs
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description: This book explores the ways in which the two leading sensation authors of the 1860s, Mary Elizabeth Braddon and Wilkie Collins, engaged with nineteenth-century ideas about personality formation and the extent to which it can be influenced either by the subject or by others. Innovative readings of seven sensation novels explore how they employ and challenge Victorian theories of heredity, degeneration, inherent constitution, education, upbringing and social circumstance. Far from presenting a reductive depiction of ‘nature’ versus ‘nurture’, Braddon and Collins show the creation of character to be a complex interplay of internal and external factors. Drawing on material ranging from medical textbooks, to sociological treatises, to popular periodicals, Creating character shows how sensation authors situated themselves at the intersections of established and developing, conservative and radical, learned and sensationalist thought about how identity could be made and modified.

Sensational Deviance

Sensational Deviance PDF Book Detail:
Author: Heidi Logan
Publisher: Routledge
ISBN: 042984347X
Size: 14.75 MB
Format: PDF, ePub, Mobi
Category : Literary Criticism
Languages : en
Pages : 278
View: 4299

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Book Description: Sensational Deviance: Disability in Nineteenth-Century Sensation Fiction investigates the representation of disability in fictional works by the leading Victorian sensation novelists Wilkie Collins and Mary Elizabeth Braddon, exploring how disability acts as a major element in the shaping of the sensation novel genre and how various sensation novels respond to traditional viewpoints of disability and to new developments in physiological and psychiatric knowledge. The depictions of disabled characters in sensation fiction frequently deviate strongly from typical depictions of disability in mainstream Victorian literature, undermining its stigmatized positioning as tragic deficit, severe limitation, or pathology. Close readings of nine individual novels situate their investigations of physical, sensory, and cognitive disabilities against the period’s disability discourses and interest in senses, perception, stimuli, the nervous system, and the hereditability of impairments. The importance of moral insanity and degeneration theory within sensation fiction connect the genre with criminal anthropology, suggesting the genre’s further significance in the light of the later emergence of eugenics, psychoanalysis, and genetics.

Attention Span And Writing Process In Victorian Sensation Novels And Their Theatrical Adaptations

Attention Span and Writing Process in Victorian Sensation Novels and Their Theatrical Adaptations PDF Book Detail:
Author: Leilani Serafin
Publisher:
ISBN: 9781369795592
Size: 49.98 MB
Format: PDF, Kindle
Category :
Languages : en
Pages :
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Book Description: Although the novel is often considered the dominant literary form during the Victorian period, it evolved in the context of the theater. This dissertation examines the popular genre of sensation fiction in relation to the many theatrical adaptations that sensation novels inspired. Sensation novels are famous for plot devices involving mistaken identity and character doubles, but little attention has been devoted to their generic double, the theatrical adaptation. Because theatrical adaptations generated income for their adaptors, novelists and other dramatic adaptors often competed for profits, making the production of these adaptations an intriguing mirror of the contentious doubling and mistaken identity in sensation novels themselves. Thus, this dissertation argues that the specific questions of identity endemic to the plots of sensation novels reflect the issues of creation, imitation, and adaptation that govern their production. To explore this mirroring process, I read three best-selling sensation novels in the context of their theatrical adaptations: Charles Reade’s It Is Never Too Late to Mend, Mary Elizabeth Braddon’s Lady Audley’s Secret, and Ouida’s Under Two Flags. In each of these novels and its theatrical context, I find an extended discussion of a unique construction of Victorian attention span—a relevant concept for a discussion of theatrical adaptation, given the distinct types of attention called for by a novel versus a play. It Is Never Too Late to Mend and the two plays associated with it advance the attentive model of industriousness to argue that focused attention can turn thieves (the thieves in the texts as well as the literary thieves who illegally adapted Reade’s novel) into authors, thereby solidifying intellectual property rights. Opposing Reade’s ideal of industriousness, Lady Audley’s Secret explores attentive patterns associated with bewilderment and absorption, Braddon’s process of juggling three simultaneous writing projects involves a type of authorial multitasking that ironizes Robert Audley’s bewildered absorption. Prominent lawsuits concerning both the dramatic adaptations of It Is Never Too Late to Mend and Lady Audley’s Secret further demonstrate the authorial multitasking that interfered with conventional ideals of focused literary authorship. Finally, Ouida structures Under Two Flags around the Renaissance concept of sprezzatura, a performative nonchalance that overlaps intriguingly with Victorian theories of “natural acting.” Each of these sensation novels advances a unique vision of attention span, and this dissertation examines how each of these attentive modes—industriousness, bewilderment, absorption, and sprezzatura—interacts with the contexts under which the novels were produced and adapted for the theater.