Wittgenstein Theory And The Arts

Wittgenstein  Theory and the Arts PDF Book Detail:
Author: Richard Allen
Publisher: Routledge
ISBN: 1135199515
Size: 57.84 MB
Format: PDF, ePub, Docs
Category : Philosophy
Languages : en
Pages : 320
View: 6279

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Book Description: This is the first full exploration of the implications of Wittgenstein's philosophy for understanding the arts and cultural criticism. These original essays by philosophers and critics address key philosophical topics in the study of the arts and culture, such as humanism, criticism, psychology, painting, film and ethics. All exemplify Wittgenstein's method of conceptual investigation and highlight his notion of philosophy as a cure.

Reflections On Aesthetic Judgment And Other Essays

Reflections on Aesthetic Judgment and other Essays PDF Book Detail:
Author: Professor Benjamin Tilghman
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409485110
Size: 59.32 MB
Format: PDF, Mobi
Category : Philosophy
Languages : en
Pages : 186
View: 6562

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Book Description: Benjamin Tilghman has been a leading commentator on analytic philosophy for many years. This book brings together his most significant and influential work on aesthetics. Spanning a period of thirty years and covering topics in aesthetics from literature to painting, the collection traces the development of Tilghman's two principal themes; a rejection of philosophical theory as a way of resolving problems about our understanding and appreciation of art and the importance of the representation and presentation of the human and human concerns in art. Tilghman is profoundly influenced by the philosophy of Ludwig Wittgenstein and his work is informed throughout by his conception and practice of philosophy. Written with exceptional clarity and with many references to original work in both painting and literature, this collection will be an invaluable resource not only for professional philosophers but for those working in the arts generally, art historians, critics and literary theorists.

Philosophy S Artful Conversation

Philosophy s Artful Conversation PDF Book Detail:
Author: D. N. Rodowick
Publisher: Harvard University Press
ISBN: 0674416678
Size: 48.64 MB
Format: PDF, Mobi
Category : Performing Arts
Languages : en
Pages : 320
View: 5903

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Book Description: Theory—an embattled discourse for decades—faces a new challenge from those who want to model the methods of all scholarly disciplines on the sciences. What is urgently needed, says D. N. Rodowick, is a revitalized concept of theory that can assess the limits of scientific explanation and defend the unique character of humanistic understanding.

Projecting A Camera

Projecting a Camera PDF Book Detail:
Author: Edward Branigan
Publisher: Routledge
ISBN: 1135379599
Size: 75.28 MB
Format: PDF
Category : Performing Arts
Languages : en
Pages : 456
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Book Description: In Projecting a Camera, film theorist Edward Branigan offers a groundbreaking approach to understanding film theory. Why, for example, does a camera move? What does a camera "know"? (And when does it know it?) What is the camera's relation to the subject during long static shots? What happens when the screen is blank? Through a wide-ranging engagement with Wittgenstein and theorists of film, he offers one of the most fully developed understandings of the ways in which the camera operates in film. With its thorough grounding in the philosophy of spectatorship and narrative, Projecting a Camera takes the study of film to a new level. With the care and precision that he brought to Narrative Comprehension and Film, Edward Branigan maps the ways in which we must understand the role of the camera, the meaning of the frame, the role of the spectator, and other key components of film-viewing. By analyzing how we think, discuss, and marvel about the films we see, Projecting a Camera, offers insights rich in implications for our understanding of film and film studies.

The Couch And The Silver Screen

The Couch and the Silver Screen PDF Book Detail:
Author: Andrea Sabbadini
Publisher: Routledge
ISBN: 113544451X
Size: 50.72 MB
Format: PDF, Mobi
Category : Psychology
Languages : en
Pages : 280
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Book Description: The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves. This composite approach offers a fascinating insight into the world of cinema. The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and historical context for the current state of psychoanalytic studies of films. The book is organised into four clear sections - Set and Stage, Working Through Trauma, Horror Perspectives and Documenting Internal Worlds - which form the basis for engaging chapters including: easily readable and jargon-free film reviews. essays on specific subjects such as perspectives on the horror film genre and adolescent development. transcripts of live debates among film directors including Bernardo Bertolucci, actors, critics and psychoanalysts discussing films. The cultural richness of the material presented, combined with the originality of multidisciplinary dialogues on European cinema, makes this book appealing not only to film buffs, but also to professionals, academics and students interested in the application of psychoanalytic ideas to the arts.

Filmosophy

Filmosophy PDF Book Detail:
Author: Daniel Frampton
Publisher: Columbia University Press
ISBN: 0231850107
Size: 15.62 MB
Format: PDF, Mobi
Category : Performing Arts
Languages : en
Pages : 256
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Book Description: Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a constant dramatic "intent" about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Béla Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike. FILMOSOPHY ® is a registered U.S. trademark owned by Valentin Stoilov (www.filmosophy.com) for educational services in the field of motion picture history theory and production. Mr. Stoilov is not the source or origin of this book and has not sponsored or endorsed it or its author.

Wittgenstein And The Theory Of Perception

Wittgenstein and the Theory of Perception PDF Book Detail:
Author: Justin Good
Publisher: A&C Black
ISBN: 1847142001
Size: 68.35 MB
Format: PDF, ePub
Category : Philosophy
Languages : en
Pages : 192
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Book Description: Ludwig Wittgenstein's later philosophy comes alive when it is used as a vehicle for philosophical discovery, rather than when it is interpreted merely as a system of propositions. In this study of Wittgenstein's later work on the philosophy of psychology, his cryptic remarks on visual meaning and the analysis of the concept of perception are used as a basis for a new approach to the philosophical study of perception. Justin Good analyses a host of issues in contemporary philosophy of mind and visual studies, including the concepts of visual meaning, visual qualia and the ineffability of visual experience. He also explores the relation between conceptual analysis and causal explanation in the theory of perception, and the relation between visual syntax and visual meaning. The larger aim of Wittgenstein and the Theory of Perception is to demonstrate a way to appreciate cutting-edge theoretical work on perception while at the same time grasping the limits of such research. In turn, this method not only offers a productive framework for clarifying the complex conceptual shifts between different contexts - like the differing concepts of 'seeing' in, for example, art history and neuro-anatomy; it also provides real insights into the nature of perception itself.

Wittgenstein Ethics And Aesthetics

Wittgenstein  Ethics  and Aesthetics PDF Book Detail:
Author: Benjamin R. Tilghman
Publisher: SUNY Press
ISBN: 9780791405949
Size: 45.66 MB
Format: PDF, ePub, Docs
Category : Philosophy
Languages : en
Pages : 193
View: 6799

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Book Description: As early as 1916, Wittgenstein states that ethics and aesthetics are one, that only through aesthetics and art can what is truly important in human life be shown. This is the first book to clarify Wittgenstein's ideas about ethics and aesthetics, and to illustrate how those ideas apply to art history and criticism. Tilghman shows how a study of Wittgenstein illuminates not only the relationship between ethics and aesthetics, but also the relationship between art and our lives. The result is that we can better understand the human importance of abstract as well as traditional art. Chapter 1 surveys the development of the philosophy of art that has dominated aesthetics since mid-century. Chapter 2 provides a brief history of some of the ways that the relationship between ethics and aesthetics has been considered in the philosophy of art. Chapters 3 and 4 discuss Wittgenstein's views on ethics and aesthetics at the time he wrote Tractatus, and chapter 5 examines the question of what it is to discern the humanity in a person, as reflected in Wittgenstein's later viewpoints found in Philosophical Investigations. Chapters 6 and 7 investigate what it is to discern the art in a work of art, and what it is to discern the humanity in a work of art. These investigations, in turn, lead to some conclusions about the importance of art in people's lives and the failure of much recent aesthetic theory to accommodate art's human importance.

Beauty And The End Of Art

Beauty and the End of Art PDF Book Detail:
Author: Sonia Sedivy
Publisher: Bloomsbury Publishing
ISBN: 1474255760
Size: 50.41 MB
Format: PDF, Kindle
Category : Philosophy
Languages : en
Pages : 288
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Book Description: Beauty and the End of Art shows how a resurgence of interest in beauty and a sense of ending in Western art are challenging us to rethink art, beauty and their relationship. By arguing that Wittgenstein's later work and contemporary theory of perception offer just what we need for a unified approach to art and beauty, Sonia Sedivy provides new answers to these contemporary challenges. These new accounts also provide support for the Wittgensteinian realism and theory of perception that make them possible. Wittgenstein's subtle form of realism explains artworks in terms of norm governed practices that have their own varied constitutive norms and values. Wittgensteinian realism also suggests that diverse beauties become available and compelling in different cultural eras and bring a shared 'higher-order' value into view. With this framework in place, Sedivy argues that perception is a form of engagement with the world that draws on our conceptual capacities. This approach explains how perceptual experience and the perceptible presence of the world are of value, helping to account for the diversity of beauties that are available in different historical contexts and why the many faces of beauty allow us to experience the value of the world's perceptible presence. Carefully examining contemporary debates about art, aesthetics and perception, Beauty and the End of Art presents an original approach. Insights from such diverse thinkers as Immanuel Kant, Hans-Georg Gadamer and Arthur Danto, Alexander Nehamas, Elaine Scarry and Dave Hickey are woven together to reveal how they make good sense if we bring contemporary theory of perception and Wittgensteinian realism into the conversation.

Value Art Politics

Value  Art  Politics PDF Book Detail:
Author: Jonathan P. Harris
Publisher:
ISBN:
Size: 16.74 MB
Format: PDF, Kindle
Category : Art
Languages : en
Pages : 423
View: 6500

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Book Description: Value, Art, Politics draws together questions of value and evaluation in relation to studies of historical and contemporary art and artists, within a broad 'social history of art' conceptual framework. Topics covered include the status of aesthetic and other judgements and their relation to analytic methods in the discipline; the reformulation of feminist aesthetics and cultural politics; the impact of postcolonial theory; the status of 'traditional' media now such as paintings and sculptures; new technologies of visual representation; Marxism and culture after Postmodernism; revisionist histories of formalist criticism.