Author:
Publisher:
ISBN:
Size: 70.66 MB
Format: PDF, ePub, Docs
Category :
Languages : en
Pages :
View: 112
Book Description:
The 1935 Film Daily Year Book Of Motion Pictures
Author:
Publisher:
ISBN:
Size: 36.59 MB
Format: PDF, Docs
Category : Motion picture industry
Languages : en
Pages : 1088
View: 7488
Book Description:
Publisher:
ISBN:
Size: 36.59 MB
Format: PDF, Docs
Category : Motion picture industry
Languages : en
Pages : 1088
View: 7488
Book Description:
The Crime Films Of Anthony Mann
Author: Max Alvarez
Publisher: Univ. Press of Mississippi
ISBN: 1617039241
Size: 45.19 MB
Format: PDF, Kindle
Category : Performing Arts
Languages : en
Pages : 324
View: 2381
Book Description: Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys. In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalbán, Ruby Dee, and Raymond Burr. The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television.
Publisher: Univ. Press of Mississippi
ISBN: 1617039241
Size: 45.19 MB
Format: PDF, Kindle
Category : Performing Arts
Languages : en
Pages : 324
View: 2381
Book Description: Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys. In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalbán, Ruby Dee, and Raymond Burr. The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television.
When Hollywood Loved Britain
Author: Mark Glancy
Publisher: Manchester University Press
ISBN: 9780719048531
Size: 10.69 MB
Format: PDF, Docs
Category : Performing Arts
Languages : en
Pages : 280
View: 5385
Book Description: When Hollywood Loved Britain examines the Hollywood "British" film--American feature films that were set in Britain, based on British history or literature and included the work of British producers, directors, writers and actors. "British" films include many of the most popular and memorable films of the 1930s and 1940s, yet they have received little individual attention from film historians and even less attention as a body of films. While the book is centered on wartime "British" films, it also investigates wider issues: the influence of censorship and propaganda agencies during Hollywood’s studio era, studio finances, the isolationist campaign in the United States between 1939 and 1941, and American perceptions of Britain at war.
Publisher: Manchester University Press
ISBN: 9780719048531
Size: 10.69 MB
Format: PDF, Docs
Category : Performing Arts
Languages : en
Pages : 280
View: 5385
Book Description: When Hollywood Loved Britain examines the Hollywood "British" film--American feature films that were set in Britain, based on British history or literature and included the work of British producers, directors, writers and actors. "British" films include many of the most popular and memorable films of the 1930s and 1940s, yet they have received little individual attention from film historians and even less attention as a body of films. While the book is centered on wartime "British" films, it also investigates wider issues: the influence of censorship and propaganda agencies during Hollywood’s studio era, studio finances, the isolationist campaign in the United States between 1939 and 1941, and American perceptions of Britain at war.
Film History
Author:
Publisher:
ISBN:
Size: 43.32 MB
Format: PDF, ePub, Mobi
Category : Motion pictures
Languages : en
Pages :
View: 2596
Book Description:
Publisher:
ISBN:
Size: 43.32 MB
Format: PDF, ePub, Mobi
Category : Motion pictures
Languages : en
Pages :
View: 2596
Book Description:
The Journal Of Korean Studies Volume 10 Number 1 Fall 2005
Author: John Duncan
Publisher: Rowman & Littlefield
ISBN: 1442234830
Size: 63.93 MB
Format: PDF, ePub
Category : History
Languages : en
Pages : 196
View: 4177
Book Description: The University of Washington-Korea Studies Program, in collaboration with Rowman & Littlefield Publishers, is proud to publish the Journal of Korean Studies. In 1979 Dr. James Palais (PhD Harvard 1968), former UW professor of Korean History edited and published the first volume of the Journal of Korean Studies. For thirteen years it was a leading academic forum for innovative, in-depth research on Korea. In 2004 former editors Gi-Wook Shin and John Duncan revived this outstanding publication at Stanford University. In August 2008 editorial responsibility transferred back to the University of Washington. With the editorial guidance of Clark Sorensen and Donald Baker, the Journal of Korean Studies (JKS) continues to be dedicated to publishing outstanding articles, from all disciplines, on a broad range of historical and contemporary topics concerning Korea. In addition the JKS publishes reviews of the latest Korea-related books. To subscribe to the Journal of Korean Studies or order print back issues, please click here.
Publisher: Rowman & Littlefield
ISBN: 1442234830
Size: 63.93 MB
Format: PDF, ePub
Category : History
Languages : en
Pages : 196
View: 4177
Book Description: The University of Washington-Korea Studies Program, in collaboration with Rowman & Littlefield Publishers, is proud to publish the Journal of Korean Studies. In 1979 Dr. James Palais (PhD Harvard 1968), former UW professor of Korean History edited and published the first volume of the Journal of Korean Studies. For thirteen years it was a leading academic forum for innovative, in-depth research on Korea. In 2004 former editors Gi-Wook Shin and John Duncan revived this outstanding publication at Stanford University. In August 2008 editorial responsibility transferred back to the University of Washington. With the editorial guidance of Clark Sorensen and Donald Baker, the Journal of Korean Studies (JKS) continues to be dedicated to publishing outstanding articles, from all disciplines, on a broad range of historical and contemporary topics concerning Korea. In addition the JKS publishes reviews of the latest Korea-related books. To subscribe to the Journal of Korean Studies or order print back issues, please click here.
The Classical Hollywood Reader
Author: Stephen Neale
Publisher: Routledge
ISBN: 0415576725
Size: 76.70 MB
Format: PDF, ePub, Docs
Category : Performing Arts
Languages : en
Pages : 468
View: 1168
Book Description: 'The Classical Hollywood Reader' brings together essential readings to provide a history of Hollywood from the 1910s to the mid 1960s. The reader includes a number of newly researched and written chapters and a series of introductions to each of its parts.
Publisher: Routledge
ISBN: 0415576725
Size: 76.70 MB
Format: PDF, ePub, Docs
Category : Performing Arts
Languages : en
Pages : 468
View: 1168
Book Description: 'The Classical Hollywood Reader' brings together essential readings to provide a history of Hollywood from the 1910s to the mid 1960s. The reader includes a number of newly researched and written chapters and a series of introductions to each of its parts.
Catalog Of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Size: 10.92 MB
Format: PDF, Kindle
Category : American literature
Languages : en
Pages :
View: 7250
Book Description:
Publisher:
ISBN:
Size: 10.92 MB
Format: PDF, Kindle
Category : American literature
Languages : en
Pages :
View: 7250
Book Description:
Hollywood S Censor
Author: Thomas Doherty
Publisher: Columbia University Press
ISBN: 0231512848
Size: 29.99 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 440
View: 6299
Book Description: From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War. Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen. There were few elements of cinematic production beyond Breen's reach he oversaw the editing of A-list feature films, low-budget B movies, short subjects, previews of coming attractions, and even cartoons. Populated by a colorful cast of characters, including Catholic priests, Jewish moguls, visionary auteurs, hardnosed journalists, and bluenose agitators, Doherty's insightful, behind-the-scenes portrait brings a tumultuous era and an individual both feared and admired to vivid life.
Publisher: Columbia University Press
ISBN: 0231512848
Size: 29.99 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 440
View: 6299
Book Description: From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War. Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen. There were few elements of cinematic production beyond Breen's reach he oversaw the editing of A-list feature films, low-budget B movies, short subjects, previews of coming attractions, and even cartoons. Populated by a colorful cast of characters, including Catholic priests, Jewish moguls, visionary auteurs, hardnosed journalists, and bluenose agitators, Doherty's insightful, behind-the-scenes portrait brings a tumultuous era and an individual both feared and admired to vivid life.
Hollywood War Films 1937 1945
Author: Michael S. Shull
Publisher: McFarland Publishing
ISBN:
Size: 25.32 MB
Format: PDF, ePub, Docs
Category : Performing Arts
Languages : en
Pages : 482
View: 723
Book Description: From 1937 through 1945, Hollywood produced over 1,000 films relating to the war. This enormous and exhaustive reference work first analyzes the war films as sociopolitical documents. Part one, entitled "The Crisis Abroad, 1937-1941," focuses on movies that reflected America's increasing uneasiness. Part two, "Waging War, 1942-1945," reveals that many movies made from 1942 through 1945 included at least some allusion to World War II.
Publisher: McFarland Publishing
ISBN:
Size: 25.32 MB
Format: PDF, ePub, Docs
Category : Performing Arts
Languages : en
Pages : 482
View: 723
Book Description: From 1937 through 1945, Hollywood produced over 1,000 films relating to the war. This enormous and exhaustive reference work first analyzes the war films as sociopolitical documents. Part one, entitled "The Crisis Abroad, 1937-1941," focuses on movies that reflected America's increasing uneasiness. Part two, "Waging War, 1942-1945," reveals that many movies made from 1942 through 1945 included at least some allusion to World War II.